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ΠΡΠ²ΠΈΠ΄, ΡΠΎΡΠ½ΠΎ ΠΏΡΠΈΠ²Π΅ΡΡΡΠ²ΡΡ Π΅Π΅ Π²ΠΎΠ·Π²ΡΠ°ΡΠ΅Π½ΠΈΠ΅ Π² Π’ΡΠ΅ΡΠΈΠΉ ΡΠ·Π΅Π». ΠΡΠΆΡΠΈΠ½Π° Π΄ΠΎΡΡΠ°Π» ΠΌΠΎΠ±ΠΈΠ»ΡΠ½ΠΈΠΊ, Π²Π½ΠΈΠ·Ρ Ρ Π½Π°Ρ ΠΏΠΎΠ³ΠΈΠ±ΡΠΈΠΉ Π§Π°ΡΡΡΠΊΡΡΠ½, - ΠΊΠΎΠ½ΡΡΠ°ΡΠΈΡΠΎΠ²Π°Π» Π‘ΡΡΠ°ΡΠΌΠΎΡ. ΠΠ΅ΠΌΠ΅Π΄Π»Π΅Π½Π½ΠΎ. ΠΠΎΡΡΠΎΠΌΡ Ρ ΠΈ ΡΠ·Π½Π°Π» ΠΎ Π΅Π³ΠΎ Π½Π°ΠΌΠ΅ΡΠ΅Π½ΠΈΠΈ ΠΌΠΎΠ΄ΠΈΡΠΈΡΠΈΡΠΎΠ²Π°ΡΡ «Π¦ΠΈΡΡΠΎΠ²ΡΡ ΠΊΡΠ΅ΠΏΠΎΡΡΡ». Π‘ ΡΠ΅Ρ ΠΏΠΎΡ ΠΊΠ°ΠΊ ΡΠΎΠΎΠ±ΡΠ΅Π½ΠΈΡ ΡΡΠ°Π»ΠΈ ΠΏΠ΅ΡΠ΅Π΄Π°Π²Π°ΡΡΡΡ ΠΏΠΎ ΠΏΠΎΠ΄Π·Π΅ΠΌΠ½ΡΠΌ Π²ΠΎΠ»ΠΎΠΊΠΎΠ½Π½ΠΎ-ΠΎΠΏΡΠΈΡΠ΅ΡΠΊΠΈΠΌ Π»ΠΈΠ½ΠΈΡΠΌ, Π½ΠΎ ΡΠ°ΠΊΠΆΠ΅ ΠΈ Π½Π° Π΄ΠΎΡΡΠΈΠΆΠ΅Π½ΠΈΡΡ ΠΊΠ²Π°Π½ΡΠΎΠ²ΠΎΠ³ΠΎ ΠΈΡΡΠΈΡΠ»Π΅Π½ΠΈΡ - Π·Π°ΡΠΎΠΆΠ΄Π°ΡΡΠ΅ΠΉΡΡ ΡΠ΅Ρ Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ, ΡΠΎΠ»ΡΠΊΠΎ Π΅ΡΠ»ΠΈ Π±Ρ Π΅ΠΉ Ρ ΠΎΡΠΎΡΠΎ Π·Π°ΠΏΠ»Π°ΡΠΈΠ»ΠΈ.
How to Tutorials to Teach or Learn Adobe Illustrator CS4.
With SiteGrinder 2, designers will now have the freedom to totally let their creativity loose and then, without skipping a beat, transfer their designs to the web. Bringing esthetic concerns together with more practical considerations, this program is an amazingly powerful tool that would make a fantastic addition to any web designer's bag of tricks. So how does it work? Think for a second about the normal flow of work for any web design project. You'll spend a great deal of your time designing the visual appearance of your website in Photoshop, only to turn around and spend even more time working with a code editor like Dreamweaver or GoLive, going through the labor-intensive process of reconstructing these designs for the web.
Not to mention that fact that your creativity is often significantly limited when you're using a design program that's completely separate from the program that's used to prep everything for the web. Not everything that you design will be functional when it's translated to the web, nor will it be compatible with all web browsers period! As such, you'll often find yourself not going that extra creative mile just because you know that your web developer will have to re-work your designs just to make sure that they can be used online.
By generating web pages directly from Photoshop, you'll be able to spend much more time on the creative end of the spectrum, since you'll know right off the bat how well particular designs will translate to the web. No more going back to the Photoshop drawing board after getting a phone call from your development team, telling you that what you had envisioned doesn't have a chance of being displayed on the web. You can immediately visually and interactively test your designs, which permits you to then make changes to either esthetics or functions while it's still relatively early on in the design process.
Virtually all of Photoshop's character and paragraph styles are supported by CSS, so you'll be able to ensure a smooth transition from workspace to web browser. This includes everything from bold and italic to paragraph spacing and alignment. All the basic elements of any standard website are also easy to achieve by using SiteGrinder 2 with Photoshop, which allows you to create buttons, rollovers, pop-ups and menus.
Demonstrates how to use the Pen tool to create straight lines and curved lines, how to adjust anchor points on a line, how to add and delete anchor points, how to position anchor points as they are drawn and how to trace an object. Demonstrates how to use the Mesh tool to creating realistic fill effects on shapes. Single and multiple meshes are applied to create a sphere and to improve the traced object created in the previous chapter.
Demonstrates how to display images and sketches within other shapes envelopes. It includes creating envelopes, distorting photographs, envelope warps and applying meshes to envelopes. This chapter covers how to use the Live Trace command to trace scanned hand-drawn sketches or images. It covers tracing the scan, applying thresholds and blurs to improve the trace, expanding the result into an Illustrator object, applying Live Paint, checking for Gaps and adding backgrounds to the trace.
How to use Live Trace with photos is also covered. This chapter demonstrates how to create Opacity Masks and Clipping Masks so that part of a sketch is viewed within a shape. This chapter demonstrates how to use the Blend tool to blend shapes, colours, effects and symbols, how to use the Shape Builder tool to combine shapes together and how to use the Pathfinder panel to create and edit shapes.
This chapter demonstrates how to create realistic 3D shapes and how to add content to the visible sides. Shadows and a background are also added to the shapes. This chapter demonstrates how to create documents that have multiple Artboards pages.
The assignment gets students to design alloy wheels for a car. Demonstrates how to extrude 2D shapes into 3D shapes, for example creating cylinders from circles and boxes from rectangles.
The Revolve command is also used to create 3D shapes such as spheres. Demonstrates how to distort images and text using the Free Transform tool and the Liquify tools.
Introduces the Layers panel and how to create designs using layers. It includes how to create a new layer, rename a layer, layer option, locking layers, turning the visibility of layers on or off and deleting layers. A sketch of a house is created with separate layers for the structure, doors, windows, etc. Module 2 Chapter Descriptions.
Demonstrates how to use the Pen tool to create straight lines and curved lines, how to adjust anchor points on a line, how to add and delete anchor points, how to position anchor points as they are drawn and how to trace an object. Demonstrates how to use the Mesh tool to creating realistic fill effects on shapes. Single and multiple meshes are applied to create a sphere and to improve the traced object created in the previous chapter.
Demonstrates how to display images and sketches within other shapes envelopes. It includes creating envelopes, distorting photographs, envelope warps and applying meshes to envelopes.
These tools have small black triangles in the right-hand corner. To view the additional tools click and hold down on any tool that has a black triangle in the corner Figure 4.
Figure 4. Extra Tools in Illustrator. If you need to use some of the additional tools often, you can tear off the additional tools into their own toolbar. To Tearoff additional tools, do the following: 1. Click and hold on the tool you want to see the additional tools for. While holding down your mouse button drag your mouse to the end of the tools to the button with the black triangle.
Let go of the mouse button to make the additional tools and new toolbar Figure 5. Figure 5. Sub-Toolbar in Illustrator. Direct Selection tool Selects the contents of a frame, such as a placed graphic; allows you to work directly with editable objects, such as paths, rectangles, or type that has been converted to a text outline.
Magic Wand tool Selects all objects in a document with the same or similar fill color, stroke weight, stroke color, opacity, or blending mode. Lasso tool Selects objects, anchor points, or path segments by being dragged around all or part of the object. Pen tool Creates a line between two anchor points you make. Creates straight lines if you simply click and release to make anchor points. Add Anchor Point tool Adds a point to a path, which is a simple way to change any path.
This helps to turn one shape into another Delete Anchor Point tool Deletes points from a path without causing a break in the path. Convert Direction Point tool Changes the control handles around an anchor point reshaping the segments controlled by that anchor point. Type tool Creates resizable and moveable text frames in which you can type text. Line tool Creates straight lines. Ellipse tool Creates ellipse shapes that hold text. Rectangle tool Creates rectangle shapes that hold text.
Polygon tool Creates polygon shapes that hold text. Paintbrush tool Draws a path and applies a brush stroke simultaneously. Pencil tool Draws open and closed paths as if you were drawing with a pencil on paper. It is most useful for fast sketching or creating a hand-drawn look. Smooth tool Removes excess angles from an existing path or a section of a path. Arc tool Creates a curved line segment or a closed, wedge-like shape.
Spiral tool Creates a spiral-shaped object of a given radius and number of winds. Grid tool Creates rectangular grids of a specified size with a specified number of dividers. Polar Grid tool Creates concentric circles of a specified size and a specified number of dividers. Star tool Creates star-shaped objects with a given size and number of points. Flare tool Creates flare objects with a bright center, a halo, and rays and rings.
Use this tool to create an effect similar to a lens flare in a photograph. Erase tool Removes part of an existing path or stroke. You can use this tool on paths, but not on text. Rotate tool Changes orientation, or angle, of the object on the page.
Reflect tool Flips the object across an invisible axis that you specify. You can copy while reflecting to create a mirror image of an object.
Scale tool Scales a selected object by being dragged anywhere in the document window. Scales objects relative to their center points, or to any reference point you make anywhere in the document window. Reshape tool Selects one or more anchor points and sections of paths and then adjusts the selected points and paths globally.
Warp tool Stretches objects as if they were made of clay. When you drag or pull portions of an object 8. Twirl tool Creates swirling distortions of an object. Pucker tool Deflates an object by moving control points toward the cursor. Bloat tool Inflates an object by moving control points away from the cursor.
Scallop tool Adds random, smooth, arc-shaped details to the outline of an object. Crystallize tool Adds random spike- and arc-shaped details to the outline of an object. Wrinkle tool Adds random arc- and spike-shaped details to the outline of an object. Free Transform tool Provides a way to perform any transformation, such as rotating and scaling. Symbol Spray tool Creates a set of symbol instances or increases more instances to an existing set.
Symbol Shift tool Moves symbol instances around. Symbol Scrunch tool Pulls symbol instances together or apart. Use this tool to shape the density distribution of a symbol set. Symbol Size tool Increases or decreases the size of symbol instances in an existing symbol set.
Symbol Spin tool Orients the symbol instances in a set. Symbol instances located near the cursor orient in the direction of the cursors movement. Symbol Stain tool Colorizes symbol instances changing the hue toward the tint color, while preserving the original luminosity. Symbol Screener tool Increases or decreases the transparency of the symbol instances in a set. Symbol Style tool Applies or removes a graphic style from a symbol instance.
Column tool Compares one or more sets of values by using rectangles whose lengths are proportional to the values. Stacked Column tool Is similar to a column graph, but stacks the columns on top of one another, instead of side by side. This graph type is useful for showing the relationship of parts to the total. Bar tool Is similar to a column graph, but positions the rectangles horizontally instead of vertically. Stacked Bar tool Stacks the bars horizontally instead of vertically.
Line tool Uses points to represent one or more sets of values, with a different line joining the points in each set. This type of graph is often used to show the trend of one or more subjects over a period of time. Indeed, the two realms are quite different from each other, to which any of us even vaguely familiar with either can easily attest.
Essentially, Photoshop is a no-holds-barred design studio, offering the artist a seemingly endless array of creative options. On the other hand, HTML, CSS, Java and the like follow strict rules of engagement, requiring the developer to take any number of esoteric concerns into consideration in order to ensure that designs are properly displayed on the web.
Basically, this program turns Photoshop into an easy-to-use and fully functional web design tool. With SiteGrinder 2, designers will now have the freedom to totally let their creativity loose and then, without skipping a beat, transfer their designs to the web. Bringing esthetic concerns together with more practical considerations, this program is an amazingly powerful tool that would make a fantastic addition to any web designer's bag of tricks. So how does it work? Think for a second about the normal flow of work for any web design project.
You'll spend a great deal of your time designing the visual appearance of your website in Photoshop, only to turn around and spend even more time working with a code editor like Dreamweaver or GoLive, going through the labor-intensive process of reconstructing these designs for the web.
Not to mention that fact that your creativity is often significantly limited when you're using a design program that's completely separate from the program that's used to prep everything for the web. Not everything that you design will be functional when it's translated to the web, nor will it be compatible with all web browsers period! As such, you'll often find yourself not going that extra creative mile just because you know that your web developer will have to re-work your designs just to make sure that they can be used online.
By generating web pages directly from Photoshop, you'll be able to spend much more time on the creative end of the spectrum, since you'll know right off the bat how well particular designs will translate to the web. No more going back to the Photoshop drawing board after getting a phone call from your development team, telling you that what you had envisioned doesn't have a chance of being displayed on the web.
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